FE 12-24mm f/4 G Ultra-wide-angle Zoom Lens:Capture the greatest spaces with this Sony FE 12-24mm ultra-wide-angle zoom lens, and leave nothing behind as you frame your shot. Ideal for landscapes or cityscapes, the lens is compatible with E-mount cameras and offers corner-to-corner G-lens resolution at any aperture setting. This Sony FE 12-24mm ultra-wide-angle zoom lens is incredibly lightweight without giving up any function.
▪ G Lens design for corner-to-corner high resolution
▪ Maximum magnification ratio (x) :0.14.Premium Optics; 4 aspherical, 1 Super ED, 3 ED glass elements
▪ Constant F4 max aperture maintains exposure and Depth of field
▪ 7-blade circular aperture contributes to beautiful bokeh
▪ Direct Drive Supersonic Wave motor for fast, quiet, precise focus
▪ In-the-box: Lens front cap; Lens rear cap; Case; Angle of View (35 mm): 122°–84°
Manufacturer | Sony |
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Brand | Sony |
Item model number | SEL1224G |
Color | black |
Weight | 1.3 pounds |
Height | 4.12 inches |
Depth | 10.87 inches |
Product Id | 6749 |
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User Reviews and Ratings | 4.9 (19 ratings) 4.9 out of 5 stars |
UPC | 027242906112 |
Get a fresh dynamic perspective with Sony?s widest full-frame E-mount lens*. Its ultra-wide 12-24mm range features cutting-edge refinements for stunning corner-to-corner G Lens resolution at all apertures, while quiet, fast, precise autofocus make it ideal for movies as well as stills. It is an excellent choice for landscapes and architecture, and is compact, lightweight, and mobile so it can go wherever the great shots are without slowing you down.
G lens design for corner-to-corner high resolution Premium optics; 4 aspherical, 1 Super ED, 3 ED glass elements Constant F4 max aperture maintains exposure and depth of field 7-blade circular aperture contributes to beautiful bokeh Direct Drive Supersonic Wave Motor for fast, quiet, precise focus Nano AR Coating dramatically reduces flare and ghosting Dust and moisture resistant for robust reliability Super ED and ED glass w/ multi?coating reduces chromatic aberration Instant auto/manual focus selection via an AF/MF switch Customizable focus hold button expands operability
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Had this lens for more than a year now and it replaced the Canon 11-24mm f4 Canon. I just lost 1 mm in the wide angle side but gained in reduced size and weight. Surprised about the quality for night photography at 12 mm, f 4, 30 seconds and ISO 4000 with tripod. Stars showed not noticeable comma of at the edge of the frame using Sony a&RIII.
My first ultra wide zoom in this focal length. In the past I have only used ultra wide primes. The biggest drawbacks with ultra wide lenses is the tendency for flare and ghosting. This lens at all focal lengths has very little if any, even shooting into the sun. The images are so sharp corner to corner and has amazing clarity and contrast. I shoot mainly stills, but it has a wider throw for manual focus video if that's your thing. The light weight body of the lens makes it a wonderful lens to keep attached and shoot all day. It's an f/4, but with landscapes I don't shoot anything less than f/4 and usually much higher. I have had it for just a few weeks and have kept it on my body the entire time. It has less of the flaring/ghosting of any of my prime ultra-wide lenses and is much sharper. As far as any chromatic aberration, I have not seen any. My only drawback is no filter ring which unfortunately is too common in ultra wide lenses. I enjoy using ND filters for long exposure images. Hopefully an attachment will be available soon. If landscapes, architectural or astrophotography is your genre this is definitely a winning lens. I know I will get many years out of this gem!
It was very difficult get a nice wideangle for Sony. When I work with A mount I get the Sigma 12-24. One of the most sharpest lenses in market over the competitions. I was very happy with that lens. Now Sony launch this gem. I shot with both Sigma and this one to test them. The Image quality of this sony is superb compared to Sigma, this one have more detail (sharpness) better corners detail (Very difficult for this kind of lenses) and can't see any color aberration. it is light, well build and if you read the specs or see the pictures you can see that you will need a filter system to atach any filter to this lens. actually that is more easy for my have a filter system that get tons of filters of any diameter for all my lenses. You can play with this lens and never get tired, it is a very fun lens as great for indoors photography, architecture, landscape.
Had this Len for bout 2 months all i can tell you is......it is wide catch detail like no other lens . check out my gallery on Instagram @trapboifuse
The ultra wide angle FE 12-24mm lens is great for architecture, real estate or landscape photography, where a faster apeature may not be enssential. The lens produces sharp/contrasty images with minimal distrotion (when corrected in post) The AF is fast and acurate and is of the silent type with no noise when motor is working. Slightly pricy but it's the one of the few (or maybe the only) native lens option that you'll have for 12mm coverage.
I've owned the lens for just over 6 months now. It is the widest I have used and really like the 12mm option. Shooting for years with a 15mm prime, I was surprised at the additional reach of the extra 3mm in focal length. I must say it is every bit as sharp and perhaps sharper than any of the wide primes I've used. I rarely have used the faster f/2.8 in my other wide lenses since most of my work is in landscape and architectural/interior photography, so f/4 suits me quite well. For astrophotography f/4 will force your ISO to obviously increase. I found f/11 to be somewhat of the sweet spot for landscape. The starbursts at f/22 are amazing. It is a very light yet quite rugged/solid lens which, added to the mirrorless body, is nice at the end of the day. Distortion is always the biggest issue with shooting the super wide lenses. There is certainly a touch of edge distortion & stretching as with any super wide lens. At 24mm this is nearly unnoticeable. For those new to super wide zooms, with 12mm you will have to really focus on your camera positioning and almost learn to shoot all over again. After you master it, it's hard to take the lens off your camera body. 12-24mm is very versatile for landscape work and with this sharp lens you will get some fantastic images. The biggest gripe I have heard is the fact it does not have filter threads. Although it may be frustrating to some, I purchased the adapter from NiSi since I already use the 150mm ND filters. This is fairly common with the other makers as well. The rectangular ND filters tend to me far more versatile anyway. At the end of the day, shooting with such a wide zoom lens can really make a big difference to your photography.
I've had this lens for one month. Works well up close. Works well in low light. I've taken handheld pictures after dark. Focuses fast and precise. Not too heavy to lug around all day. I usually hand carry my camera, and even when hanging from its leash, it doesn't feel too heavy. It allows you to take pictures of entire structures, even when you're in a tight spot. You can photograph people from head to toe from just a few feet away and take portraits from just inches. You need to have the budget to buy this lens, but if you can afford it, it's worth it.
Awesome edge to edge clarity. Outstanding landscape pictures
I am very please with the performance of this lens and with its relatively light weight. It allows me to carry two lenses on long trips which was problematic previously. However, I received a non US version. So, beware.
It was "open box" but I could not tell. It looked like I was the first to open it. In any case this is an ok lens in general, but, very nice for the price. Someday I would like to purchase a really fine telephoto zoom lens but until then this will do just fine. I would also like to say that I really like Beach Camera. Nice prices, quick delivery and great customer support.