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This Canon EF 9520B002 wide angle zoom lens features an 11-24mm focal length, f/22 minimum aperture and f/4 maximum aperture, so you can easily capture clear photos using your compatible Canon camera.
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| Manufacturer | Canon |
|---|---|
| Brand | Canon |
| Item model number | 9520B002 |
| Color | Black |
| Weight | 2.6015 pounds |
| Height | 9.4 inches |
| Depth | 4.3 inches |
| Product Id | 2159 |
|---|---|
| User Reviews and Ratings | 4.8 (17 ratings) 4.8 out of 5 stars |
| UPC | 013803240771 |
<p>A truly versatile wide-angle zoom featuring an advanced optical design and constant f/4 maximum aperture, the Canon EF 11-24mm f/4L USM Lens is a member of the esteemed L-series of lenses designed for full-frame EOS DSLRs. One Super UD element and one UD element offer a significant reduction in chromatic aberrations while four aspherical elements help to minimize distortions throughout the zoom range and provide consistent edge-to-edge sharpness and illumination. Both SWC and ASC coatings have been applied to the elements in order to reduce lens flare and ghosting for increased contrast and color accuracy. Ideally suited for landscape and architectural photography, this lens covers ultra-wide to wide-angle perspectives and backs up its versatile zoom range with sophisticated optical components and intuitive handling</p><p>In regard to focusing performance, a ring-type Ultrasonic Motor offers fast, smooth, and near-silent autofocus, which is further benefitted by full-time manual focus operation and an internal focusing design. The lens is both water and dust-resistant, and fluorine coatings have also been applied to the front and rear elements to protect against fingerprints and smudges from affecting image quality.<br />Wide-angle zoom 11-24mm f/4 lens is compatible with full-frame EOS DSLRs, as well as APS-C-sized sensors where it will provide a 17.6-38.4mm equivalent focal length range.</p><p>Constant f/4 maximum aperture offers consistent performance and light transmission throughout the zoom range.</p><p>One Super UD (Ultra Low Dispersion) and one UD element help to significantly reduce chromatic aberrations for improved clarity and color accuracy.</p><p>Four aspherical elements help to minimize distortions throughout the zoom range in order to maintain edge-to-edge sharpness and illumination.</p><p>Both a Subwavelength Coating (SWC) and an Air Sphere Coating (ASC) have been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions.</p><p>A ring-type Ultrasonic Motor (USM), along with an internal focusing system, high-speed CPU, and optimized AF algorithms, are employed to deliver fast, precise, and near-silent autofocus performance.</p><p>Full-time manual focus operation is available for fine-tuning of your focus position when working in the AF mode.</p><p>A weather-resistant design protects the lens from dust and moisture to enable its use in inclement conditions. Additionally, fluorine coatings have also been applied to the front and rear lens elements for further protection against fingerprints and smudging.</p><p>Nine rounded diaphragm blades contribute to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.</p><p>Lens' design accepts rear insert-type gelatin filters, which are cut-to-size and inserted behind the rear lens element.</p>
Key Features and Benefits: L-series ultra-wide zoom lens with an impressive 11mm starting focal length, delivering high-quality, expressive images Amazing optical design and the use of one Super UD element and one UD lens element helps significantly reduce chromatic aberration Four aspheric lens elements help minimize distortion from the center of the image to the periphery and across the entire zoom range Subwavelength Coating (SWC) and Air Sphere Coating (ASC) help to significantly reduce flare and ghosting Highly resistant to dust for amazing durability enabling shooting even in harsh conditions Inner focusing, ring USM, a high-speed CPU and optimized AF algorithms for fast and accurate autofocusing Circular aperture (9 blades) helps deliver beautiful, soft backgrounds Minimum focusing distance is ideal for shooting in tight spaces Full-time manual focus allows manual focus adjustment while in AF mode Fluorine coating on front and rear lens surfaces helps reduce smears and fingerprints
| # | Title | Reviews | User Ratings | Price |
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Canon EF 11-24mm F/4L USM Ultra-Wide Angle Zoom Lens
Reviews: 13
Ratings:
(13)
Price:
$2399.95
on
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13 | (4.9) |
$2399.95
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I own the Canon 16-35 f/2.8 along with the Canon 16-35 f/4….. and also the Canon 14mm f/2.8. I have been waiting for the new Canon 11-24 for about as long as I can remember as I love photographing wide-angle all over the world, being a travel photographer. The new 11-24 is just about as sharp as the incredible 16-35 f/4 and it is the most beautiful piece of glass that I have ever used in my life. It is big and heavy, but it almost doesn't matter as you know that you have one amazing lens in your hand and there is nothing to describe the images that it takes. At 11 mm, it is absolutely astonishing. sharp from corner to corner, no chromatic aberration at all, and almost no vignetting except possibly a little at wide open. I have been waiting for this lens for as long as I can remember and Canon has totally delivered. There is nothing like it on the market and the photographs just blow me away. I have done thorough testing with it against every other Canon wide angle that I have, and it is in a class by itself! Thank you Canon making the most beautiful wide-angle zoom lens any of us have ever seen!
I purchased this lens few months ago and using for landscape. That's was amazing, super wide picture, sharp, details. The feeling of holding hand is very good.The lens is suitable for architecture I just regret that is has no IS mode.
Great quality, easy to use. Beautiful picture quality
This 11-24 has really helped my business in commercial real estate. Our marketing materials really pop and we can show our properties as though the client was standing there. We have sold and leased several properties because of the impact given from the 11-24.
I'm a Architectural photographer and this is perfect! The only issue i've had was shooting very larger rooms wide open, sometimes I have to zoom in on post processing. I love it!
Best of the best wide angle lense in all senses of the word. I always wanted Canon to find a way of using filters which I saw very remote, but when I got my R5 Canon made possible with the Drop-in Filter Mount Adapter EF-EOS R. Good going Canon!!!
As I've transitioned from film to digital, my equipment has increased in features and worth for my use--landscape, color abstract, and real estate--and some things keep proving to be true: the photographer's skill remains the most vital equipment in the equation, but good glass means more than anything. In 50+ years of taking pictures I've owned some good equipment, and have seen the change in zoom design where the modern zooms are so close to the quality of a prime, it seems almost foolish to leave the zoom at home for a job. I went from a love affair with the 10-22 on my 50D, to the 16-35L 2.8 on my Mk III, then to a greater love affair for the 16-35 4.0, then the plunge into the price of this lens 2 years ago. This lens is expensive, heavy, extra care for the bulbous lens sitting out there, but I will grab this lens before any other. I've carried it on 15+ mile hikes to get the shot I wanted because this is the one lens that would provide the color, sharpness and depth I was after. Inside work is a bit trickier, but if slightly out of level, cropping to the center still leaves a wider view than my 16mm provides. And, if level...well, anything I can bring to the equation to make a good photo is only amplified by this lens. I love it.
I do architectural photography had I had been using this lens for over three weeks in difference jobs. This lens it is outstanding the optic quality, the excellent construction and the wide coverage at 11mm aloud to take photos that before were not possible unless a panoramic was done. Any distortion is minor in comparison with other lenses the 16-35 or the 17-40 and much better chromatic aberration control. The lens is heavy but do not bother me I always use a tripod. It is pricy but you get what you pay for.
I have been doing virtual tours for a local real estate agent for the past 3 or 4 years. I started with the original EOS 5D and a Canon EF 17-40mm, f/4L lens, and soon upgraded the camera body to the 5D Mk lll. I continued to use the same 17-40 lens. The problem with the 17 x 40 lens was that most of the time I had to stitch 2 shots together to show rooms in their entirety. This was time consuming, and even using PhotoShop to stitch the pictures, distortion was almost always present. I hesitated at first when I saw that this new lens was finally being released, I have to admit the price was what was holding me back, as well as the fact that there were no reviews available to get feed back from other buyers. I finally decided to take a chance and I ordered the lens. I've only had it for a couple of weeks now, and in that time I've used it to do virtual tours on two properties.......Long story short, I'm blown away. The pictures it takes are great! The only negative thing I have to say about it other than the cost is it's weight.......I won't be using it very much with the neck strap, bottom line is.......I love it.......
Architectural photographer. Lens performance is excellent for exteriors. However interior photography with longer exposures especially with led light sources in ceiling and walls, ghosting is very apparent with this lens and hard to correct.
