"I think, therefore I ambient." So went the credo of Mixmaster Morris, who in the late 1980s recontextualized Brian Eno's concept of background music for the chill-out room. And in so doing, 'ambient' became the buzzword of the early 1990s, spawning a genuine subgenre of fledgling electronica. Morris has been at it ever since, and although he's not the most prolific of musicians, his creations are pure ambrosia. GLOBAL CHILLAGE is his follow-up to the now classic FLYING HIGH, and picks up right where that stratoship to stars left off. Morris delivers seven slices of neo-psychedelic electro-heaven, bubbling, pulsing, and reverberating on the soul. "Sunstroke" massages low-end synths, ringing tones and trilling sequencer tidbits. "Waveform" gets wonderously lost in the interspatial sinkholes of electronics. In space, no one can see you drift.

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"I think, therefore I ambient." So went the credo of Mixmaster Morris, who in the late 1980s recontextualized Brian Eno's concept of background music for the chill-out room. And in so doing, 'ambient' became the buzzword of the early 1990s, spawning a genuine subgenre of fledgling electronica. Morris has been at it ever since, and although he's not the most prolific of musicians, his creations are pure ambrosia. GLOBAL CHILLAGE is his follow-up to the now classic FLYING HIGH, and picks up right where that stratoship to stars left off. Morris delivers seven slices of neo-psychedelic electro-heaven, bubbling, pulsing, and reverberating on the soul. "Sunstroke" massages low-end synths, ringing tones and trilling sequencer tidbits. "Waveform" gets wonderously lost in the interspatial sinkholes of electronics. In space, no one can see you drift.