The Best All Vinyl Records 2025

Updated On April 24th, 2025

Looking for the best All Vinyl Records? You aren't short of choices in 2022. The difficult bit is deciding the best All Vinyl Records for you, but luckily that's where we can help. Based on testing out in the field with reviews, sells etc, we've created this ranked list of the finest All Vinyl Records.

Rank Product Name Score
1
Arturo Cracchiolo - Marshall Mathers LP (Edited)

Arturo Cracchiolo - Marshall Mathers LP (Edited)

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2
Dream Syndicate includes: Steve Wynn, Chris Cacavas. GHOST STORIES contains 2 tracks ("Now I Ride Alone" and "I Ain't Living Long Like This") not available on the original LP release. Includes eight bonus tracks. Dream Syndicate: Steve Wynn (vocals, guitar). Liner Note Author: Pat Thomas . 1988's GHOST STORIES is an impressive follow up to the desert-rock foray of 1986's OUT OF THE GREY. Guitarist Paul B. Cutler sounds more fully integrated into the band than on the previous album, and singer/songwriter Steve Wynn's tunes are sharper and more direct than anything since the band's phenomenal debut, THE DAYS OF WINE AND ROSES; the tender ballad "Whatever You Please" is one of his finest songs. Elsewhere, the bluesy "Withered and Torn" and "Loving the Sinner, Hating the Sin" reveal a surprisingly apropos British R&B aspect of Wynn's songwriting, more John Mayall's Bluesbreakers than Stax/Volt. This version includes bonus tracks not on the Enigma Records original.

Dream Syndicate includes: Steve Wynn, Chris Cacavas. GHOST STORIES contains 2 tracks ("Now I Ride Alone" and "I Ain't Living Long

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3
Recorded between 1951 and 1957. RADIO FAVORITES '51-'57 contains 14 tracks. Country's greatest singing duo, the Louvin Brothers, has long been held in high regard by both musicians and devoted fans of country music. Until recently, however, the general public had little access to the group's recordings. Among the first and best of the compact discs to reverse this trend was RADIO FAVORITES, a 1993 release from the Country Music Foundation. The disc collects 14 previously unreleased live radio performances, including ten from the group's 1955-1957 tenure with the Grand Old Opry. The Louvins divided their career commitments between gospel and secular music, and RADIO FAVORITES cleverly mirrors this dichotomy, presenting seven gospel numbers and seven secular tunes (on the original vinyl release, each grouping had its own side). Neither set disappoints: in fact, part of the Louvins' tremendous appeal lay in the conflict between the sacred and profane embodied in their music. Beyond this content, however, is the sound of two perfectly wedded voices. Each of the 14 tracks included here is among the group's best compositions, making RADIO FAVORITES a solid introduction to the Louvins' remarkable body of work.

Recorded between 1951 and 1957. RADIO FAVORITES '51-'57 contains 14 tracks. Country's greatest singing duo, the Louvin Brothers, h

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4
Personnel: Claire Austin (vocals); Bob Scobey (trumpet); Kid Ory (trombone); Stan Wrightsman, Don Ewell (piano); Barney Kessel (guitar); Morty Corb, Ed Garland (bass); Shelly Manne, Minor Hall (drums). Recorded in Los Angeles, California on April 2, 1954, April 13, 1955 and February 16, 1956. Tracks 1-10 originally released on Contemporary (5002). Tracks 11-18 originally released as the 10-inch LP CLAIRE AUSTIN SINGS THE BLUES WITH KID ORY on Good Time Jazz (L-24). Includes liner notes by Lester Koenig and S.I. Hayakawa. Digitally remastered by Phil De Lancie (1991, Fantasy Studios, Berkeley, California).

Personnel: Claire Austin (vocals); Bob Scobey (trumpet); Kid Ory (trombone); Stan Wrightsman, Don Ewell (piano); Barney Kessel (gu

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5
Mongo Santamaria - Personnel: Mongo Santamaria, Al Abreu, Nat Adderley, Jose De Paulo, Bobby Capers, Jimmy Cobb, Julio Collazo, Chick Corea, Carmen Costa, Carmelo Garcia, Rodgers Grant, Marcellino Guerra, Wito Kortwright, Hubert Laws, Ray Lucas, "Chihuahua" Martinez, Pat Patrick, Elliot Romero, Paul Serrano, Marty Sheller, "To-Tiko," Victor Venegas.Recorded between July of 1962 and the spring of 1964.2 LP's on 1 CD.

Mongo Santamaria - Personnel: Mongo Santamaria, Al Abreu, Nat Adderley, Jose De Paulo, Bobby Capers, Jimmy Cobb, Julio Collazo, Ch

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6
2 LP's on 1 CD: TRIO AND SOLO/COLE PORTER IN A MODERN MOOD. Includes liner notes by Orrin Keepnews. Digitally remastered by Kirk Felton (2000, Fantasy Studios, Berkeley, California). TRIO AND SOLO: Personnel: Randy Weston (piano); Sam Gill (bass); Art Blakey (drums). Engineers: Rudy Van Gelder, Jack Higgins. Recorded at the Van Gelder Studio, Hackensack, New Jersey on January 25, 1955 and in New York, New York on September 10, 1956. Originally released on Riverside (227). COLE PORTER IN A MODERN MOOD: Personnel: Randy Weston (piano); Sam Gill (bass). Recorded in New York, New York in April 27, 1954. Originally released on Riverside (2508).

2 LP's on 1 CD: TRIO AND SOLO/COLE PORTER IN A MODERN MOOD. Includes liner notes by Orrin Keepnews. Digitally remastered by Kirk F

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7
Recorded live by Mountain Recording Studios at the Montreux Jazz Festival on July 13-14, 1977.All selections were previously released on Pablo Live 2620-105. This collection contains the material not included on each artist's Montreux '77 session LP.

Recorded live by Mountain Recording Studios at the Montreux Jazz Festival on July 13-14, 1977.All selections were previously relea

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8
The so-called "Romantic" Symphony was something of a watershed work for Anton Bruckner. Dissatified with the original 1874 version, he undertook a radical revision which was completed in 1880. Not only was the symphony successfully transformed, Bruckner immediately entered his longest and greatest period of untroubled creativity. This magnificent performance of Bruckner's Fourth has been held in the highest esteem since its first appearance on LP. Austrian conductor Karl Bￃﾶhm, master of the opera pit and renowned interpreter of Mozart, Beethoven, Wagner, and Strauss, brings a sense of order and strength to Bruckner. With measured tempos and an unflinching line carried out by the inimitable Vienna Philharmonic, he allows the symphony to stand on its own architectural steel with what English musicologist Deryck Cooke described as "unhurried majesty."

The so-called "Romantic" Symphony was something of a watershed work for Anton Bruckner. Dissatified with the original 1874 version

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9
2 LP's on 1 CD: What About Me/Anniversary Album (1960).

2 LP's on 1 CD: What About Me/Anniversary Album (1960).

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10
Archie Shepp & The Full Moon Ensemble - Live In Antibes Volumes 1 & 2 (2xCD) (marked/ltd stock) (remastered) - CD

Archie Shepp & The Full Moon Ensemble - Live In Antibes Volumes 1 & 2 (2xCD) (marked/ltd stock) (remastered) - CD

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1. Arturo Cracchiolo - Marshall Mathers LP (Edited)

Arturo Cracchiolo - Marshall Mathers LP (Edited)
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Marshall Mathers LP (Edited)

Marshall Mathers LP (Edited)

2. Dream Syndicate includes: Steve Wynn, Chris Cacavas. GHOST STORIES contains 2 tracks ("Now I Ride Alone" and "I Ain't Living Long Like This") not available on the original LP release. Includes eight bonus tracks. Dream Syndicate: Steve Wynn (vocals, guitar). Liner Note Author: Pat Thomas . 1988's GHOST STORIES is an impressive follow up to the desert-rock foray of 1986's OUT OF THE GREY. Guitarist Paul B. Cutler sounds more fully integrated into the band than on the previous album, and singer/songwriter Steve Wynn's tunes are sharper and more direct than anything since the band's phenomenal debut, THE DAYS OF WINE AND ROSES; the tender ballad "Whatever You Please" is one of his finest songs. Elsewhere, the bluesy "Withered and Torn" and "Loving the Sinner, Hating the Sin" reveal a surprisingly apropos British R&B aspect of Wynn's songwriting, more John Mayall's Bluesbreakers than Stax/Volt. This version includes bonus tracks not on the Enigma Records original.

Dream Syndicate includes: Steve Wynn, Chris Cacavas. GHOST STORIES contains 2 tracks ("Now I Ride Alone" and "I Ain't Living Long Like This") not available on the original LP release. Includes eight bonus tracks. Dream Syndicate: Steve Wynn (vocals, guitar). Liner Note Author: Pat Thomas . 1988's GHOST STORIES is an impressive follow up to the desert-rock foray of 1986's OUT OF THE GREY. Guitarist Paul B. Cutler sounds more fully integrated into the band than on the previous album, and singer/songwriter Steve Wynn's tunes are sharper and more direct than anything since the band's phenomenal debut, THE DAYS OF WINE AND ROSES; the tender ballad "Whatever You Please" is one of his finest songs. Elsewhere, the bluesy "Withered and Torn" and "Loving the Sinner, Hating the Sin" reveal a surprisingly apropos British R&B aspect of Wynn's songwriting, more John Mayall's Bluesbreakers than Stax/Volt. This version includes bonus tracks not on the Enigma Records original.
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Dream Syndicate includes: Steve Wynn, Chris Cacavas. GHOST STORIES contains 2 tracks ("Now I Ride Alone" and "I Ain't Living Long Like This") not available on the original LP release. Includes eight bonus tracks. Dream Syndicate: Steve Wynn (vocals, guitar). Liner Note Author: Pat Thomas . 1988's GHOST STORIES is an impressive follow up to the desert-rock foray of 1986's OUT OF THE GREY. Guitarist Paul B. Cutler sounds more fully integrated into the band than on the previous album, and singer/songwriter Steve Wynn's tunes are sharper and more direct than anything since the band's phenomenal debut, THE DAYS OF WINE AND ROSES; the tender ballad "Whatever You Please" is one of his finest songs. Elsewhere, the bluesy "Withered and Torn" and "Loving the Sinner, Hating the Sin" reveal a surprisingly apropos British R&B aspect of Wynn's songwriting, more John Mayall's Bluesbreakers than Stax/Volt. This version includes bonus tracks not on the Enigma Records original.

3. Recorded between 1951 and 1957. RADIO FAVORITES '51-'57 contains 14 tracks. Country's greatest singing duo, the Louvin Brothers, has long been held in high regard by both musicians and devoted fans of country music. Until recently, however, the general public had little access to the group's recordings. Among the first and best of the compact discs to reverse this trend was RADIO FAVORITES, a 1993 release from the Country Music Foundation. The disc collects 14 previously unreleased live radio performances, including ten from the group's 1955-1957 tenure with the Grand Old Opry. The Louvins divided their career commitments between gospel and secular music, and RADIO FAVORITES cleverly mirrors this dichotomy, presenting seven gospel numbers and seven secular tunes (on the original vinyl release, each grouping had its own side). Neither set disappoints: in fact, part of the Louvins' tremendous appeal lay in the conflict between the sacred and profane embodied in their music. Beyond this content, however, is the sound of two perfectly wedded voices. Each of the 14 tracks included here is among the group's best compositions, making RADIO FAVORITES a solid introduction to the Louvins' remarkable body of work.

Recorded between 1951 and 1957. RADIO FAVORITES '51-'57 contains 14 tracks. Country's greatest singing duo, the Louvin Brothers, has long been held in high regard by both musicians and devoted fans of country music. Until recently, however, the general public had little access to the group's recordings. Among the first and best of the compact discs to reverse this trend was RADIO FAVORITES, a 1993 release from the Country Music Foundation. The disc collects 14 previously unreleased live radio performances, including ten from the group's 1955-1957 tenure with the Grand Old Opry. The Louvins divided their career commitments between gospel and secular music, and RADIO FAVORITES cleverly mirrors this dichotomy, presenting seven gospel numbers and seven secular tunes (on the original vinyl release, each grouping had its own side). Neither set disappoints: in fact, part of the Louvins' tremendous appeal lay in the conflict between the sacred and profane embodied in their music. Beyond this content, however, is the sound of two perfectly wedded voices. Each of the 14 tracks included here is among the group's best compositions, making RADIO FAVORITES a solid introduction to the Louvins' remarkable body of work.
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Recorded between 1951 and 1957. RADIO FAVORITES '51-'57 contains 14 tracks. Country's greatest singing duo, the Louvin Brothers, has long been held in high regard by both musicians and devoted fans of country music. Until recently, however, the general public had little access to the group's recordings. Among the first and best of the compact discs to reverse this trend was RADIO FAVORITES, a 1993 release from the Country Music Foundation. The disc collects 14 previously unreleased live radio performances, including ten from the group's 1955-1957 tenure with the Grand Old Opry. The Louvins divided their career commitments between gospel and secular music, and RADIO FAVORITES cleverly mirrors this dichotomy, presenting seven gospel numbers and seven secular tunes (on the original vinyl release, each grouping had its own side). Neither set disappoints: in fact, part of the Louvins' tremendous appeal lay in the conflict between the sacred and profane embodied in their music. Beyond this content, however, is the sound of two perfectly wedded voices. Each of the 14 tracks included here is among the group's best compositions, making RADIO FAVORITES a solid introduction to the Louvins' remarkable body of work.

4. Personnel: Claire Austin (vocals); Bob Scobey (trumpet); Kid Ory (trombone); Stan Wrightsman, Don Ewell (piano); Barney Kessel (guitar); Morty Corb, Ed Garland (bass); Shelly Manne, Minor Hall (drums). Recorded in Los Angeles, California on April 2, 1954, April 13, 1955 and February 16, 1956. Tracks 1-10 originally released on Contemporary (5002). Tracks 11-18 originally released as the 10-inch LP CLAIRE AUSTIN SINGS THE BLUES WITH KID ORY on Good Time Jazz (L-24). Includes liner notes by Lester Koenig and S.I. Hayakawa. Digitally remastered by Phil De Lancie (1991, Fantasy Studios, Berkeley, California).

Personnel: Claire Austin (vocals); Bob Scobey (trumpet); Kid Ory (trombone); Stan Wrightsman, Don Ewell (piano); Barney Kessel (guitar); Morty Corb, Ed Garland (bass); Shelly Manne, Minor Hall (drums). Recorded in Los Angeles, California on April 2, 1954, April 13, 1955 and February 16, 1956. Tracks 1-10 originally released on Contemporary (5002). Tracks 11-18 originally released as the 10-inch LP CLAIRE AUSTIN SINGS THE BLUES WITH KID ORY on Good Time Jazz (L-24). Includes liner notes by Lester Koenig and S.I. Hayakawa. Digitally remastered by Phil De Lancie (1991, Fantasy Studios, Berkeley, California).
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Personnel: Claire Austin (vocals); Bob Scobey (trumpet); Kid Ory (trombone); Stan Wrightsman, Don Ewell (piano); Barney Kessel (guitar); Morty Corb, Ed Garland (bass); Shelly Manne, Minor Hall (drums). Recorded in Los Angeles, California on April 2, 1954, April 13, 1955 and February 16, 1956. Tracks 1-10 originally released on Contemporary (5002). Tracks 11-18 originally released as the 10-inch LP CLAIRE AUSTIN SINGS THE BLUES WITH KID ORY on Good Time Jazz (L-24). Includes liner notes by Lester Koenig and S.I. Hayakawa. Digitally remastered by Phil De Lancie (1991, Fantasy Studios, Berkeley, California).

5. Mongo Santamaria - Personnel: Mongo Santamaria, Al Abreu, Nat Adderley, Jose De Paulo, Bobby Capers, Jimmy Cobb, Julio Collazo, Chick Corea, Carmen Costa, Carmelo Garcia, Rodgers Grant, Marcellino Guerra, Wito Kortwright, Hubert Laws, Ray Lucas, "Chihuahua" Martinez, Pat Patrick, Elliot Romero, Paul Serrano, Marty Sheller, "To-Tiko," Victor Venegas.Recorded between July of 1962 and the spring of 1964.2 LP's on 1 CD.

Mongo Santamaria - Personnel: Mongo Santamaria, Al Abreu, Nat Adderley, Jose De Paulo, Bobby Capers, Jimmy Cobb, Julio Collazo, Chick Corea, Carmen Costa, Carmelo Garcia, Rodgers Grant, Marcellino Guerra, Wito Kortwright, Hubert Laws, Ray Lucas, "Chihuahua" Martinez, Pat Patrick, Elliot Romero, Paul Serrano, Marty Sheller, "To-Tiko," Victor Venegas.Recorded between July of 1962 and the spring of 1964.2 LP's on 1 CD.
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Personnel: Mongo Santamaria, Al Abreu, Nat Adderley, Jose De Paulo, Bobby Capers, Jimmy Cobb, Julio Collazo, Chick Corea, Carmen Costa, Carmelo Garcia, Rodgers Grant, Marcellino Guerra, Wito Kortwright, Hubert Laws, Ray Lucas, "Chihuahua" Martinez, Pat Patrick, Elliot Romero, Paul Serrano, Marty Sheller, "To-Tiko," Victor Venegas. Recorded between July of 1962 and the spring of 1964. 2 LP's on 1 CD.

6. 2 LP's on 1 CD: TRIO AND SOLO/COLE PORTER IN A MODERN MOOD. Includes liner notes by Orrin Keepnews. Digitally remastered by Kirk Felton (2000, Fantasy Studios, Berkeley, California). TRIO AND SOLO: Personnel: Randy Weston (piano); Sam Gill (bass); Art Blakey (drums). Engineers: Rudy Van Gelder, Jack Higgins. Recorded at the Van Gelder Studio, Hackensack, New Jersey on January 25, 1955 and in New York, New York on September 10, 1956. Originally released on Riverside (227). COLE PORTER IN A MODERN MOOD: Personnel: Randy Weston (piano); Sam Gill (bass). Recorded in New York, New York in April 27, 1954. Originally released on Riverside (2508).

2 LP's on 1 CD: TRIO AND SOLO/COLE PORTER IN A MODERN MOOD. Includes liner notes by Orrin Keepnews. Digitally remastered by Kirk Felton (2000, Fantasy Studios, Berkeley, California). TRIO AND SOLO: Personnel: Randy Weston (piano); Sam Gill (bass); Art Blakey (drums). Engineers: Rudy Van Gelder, Jack Higgins. Recorded at the Van Gelder Studio, Hackensack, New Jersey on January 25, 1955 and in New York, New York on September 10, 1956. Originally released on Riverside (227). COLE PORTER IN A MODERN MOOD: Personnel: Randy Weston (piano); Sam Gill (bass). Recorded in New York, New York in April 27, 1954. Originally released on Riverside (2508).
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2 LP's on 1 CD: TRIO AND SOLO/COLE PORTER IN A MODERN MOOD. Includes liner notes by Orrin Keepnews. Digitally remastered by Kirk Felton (2000, Fantasy Studios, Berkeley, California). TRIO AND SOLO: Personnel: Randy Weston (piano); Sam Gill (bass); Art Blakey (drums). Engineers: Rudy Van Gelder, Jack Higgins. Recorded at the Van Gelder Studio, Hackensack, New Jersey on January 25, 1955 and in New York, New York on September 10, 1956. Originally released on Riverside (227). COLE PORTER IN A MODERN MOOD: Personnel: Randy Weston (piano); Sam Gill (bass). Recorded in New York, New York in April 27, 1954. Originally released on Riverside (2508).

7. Recorded live by Mountain Recording Studios at the Montreux Jazz Festival on July 13-14, 1977.All selections were previously released on Pablo Live 2620-105. This collection contains the material not included on each artist's Montreux '77 session LP.

Recorded live by Mountain Recording Studios at the Montreux Jazz Festival on July 13-14, 1977.All selections were previously released on Pablo Live 2620-105. This collection contains the material not included on each artist's Montreux '77 session LP.
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Recorded live by Mountain Recording Studios at the Montreux Jazz Festival on July 13-14, 1977. All selections were previously released on Pablo Live 2620-105. This collection contains the material not included on each artist's Montreux '77 session LP.

8. The so-called "Romantic" Symphony was something of a watershed work for Anton Bruckner. Dissatified with the original 1874 version, he undertook a radical revision which was completed in 1880. Not only was the symphony successfully transformed, Bruckner immediately entered his longest and greatest period of untroubled creativity. This magnificent performance of Bruckner's Fourth has been held in the highest esteem since its first appearance on LP. Austrian conductor Karl Bￃﾶhm, master of the opera pit and renowned interpreter of Mozart, Beethoven, Wagner, and Strauss, brings a sense of order and strength to Bruckner. With measured tempos and an unflinching line carried out by the inimitable Vienna Philharmonic, he allows the symphony to stand on its own architectural steel with what English musicologist Deryck Cooke described as "unhurried majesty."

The so-called "Romantic" Symphony was something of a watershed work for Anton Bruckner. Dissatified with the original 1874 version, he undertook a radical revision which was completed in 1880. Not only was the symphony successfully transformed, Bruckner immediately entered his longest and greatest period of untroubled creativity. This magnificent performance of Bruckner's Fourth has been held in the highest esteem since its first appearance on LP. Austrian conductor Karl Bￃﾶhm, master of the opera pit and renowned interpreter of Mozart, Beethoven, Wagner, and Strauss, brings a sense of order and strength to Bruckner. With measured tempos and an unflinching line carried out by the inimitable Vienna Philharmonic, he allows the symphony to stand on its own architectural steel with what English musicologist Deryck Cooke described as "unhurried majesty."
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The so-called "Romantic" Symphony was something of a watershed work for Anton Bruckner. Dissatified with the original 1874 version, he undertook a radical revision which was completed in 1880. Not only was the symphony successfully transformed, Bruckner immediately entered his longest and greatest period of untroubled creativity. This magnificent performance of Bruckner's Fourth has been held in the highest esteem since its first appearance on LP. Austrian conductor Karl Bￃﾶhm, master of the opera pit and renowned interpreter of Mozart, Beethoven, Wagner, and Strauss, brings a sense of order and strength to Bruckner. With measured tempos and an unflinching line carried out by the inimitable Vienna Philharmonic, he allows the symphony to stand on its own architectural steel with what English musicologist Deryck Cooke described as "unhurried majesty."

9. 2 LP's on 1 CD: What About Me/Anniversary Album (1960).

2 LP's on 1 CD: What About Me/Anniversary Album (1960).
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2 LP's on 1 CD: What About Me/Anniversary Album (1960).

10. Archie Shepp & The Full Moon Ensemble - Live In Antibes Volumes 1 & 2 (2xCD) (marked/ltd stock) (remastered) - CD

Archie Shepp & The Full Moon Ensemble - Live In Antibes Volumes 1 & 2 (2xCD) (marked/ltd stock) (remastered) - CD
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Archie Shepp & The Full Moon Ensemble

(2xCD) (marked/ltd stock) (remastered)

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