The Best Healthcare Essentials 2024

1. ReliOn Alcohol Swabs, 100ct

Use ReliOn Alcohol Swabs to clean the skin prior to an injection. It is saturated with 70 percent isopropyl alcohol, and it's for external use only. These ReliOn swabs come in a 100-count box. Each one has a two-ply construction and is individually foil wrapped. It is convenient to use at home, on the go and in medical facilities. These alcohol cotton swabs remove germs and can be used daily with confidence.

ReliOn Alcohol Swabs, 100-Count: Use for preparation of the skin prior to an injection Saturated with isopropyl alcohol 70% Alcohol cotton swabs are convenient to use at home, on the go and in medical facilities Antiseptic skin cleanser 2-ply individually foil-wrapped swabs Wipe injection site vigorously Use daily with confidence For external use only Cotonetes Empapados EN Alcohol. Saturados Con Alcohol Isopropilico 70%. Faciles De Usar. Limpiador Antiseptico Para LA Piel. Solo Para Uso Externo. 100 Cotonetes Individualmente Envueltos Con Envoltura De Doble Hoja.

2. Personnel includes: Phil Ochs (vocals); Ian Freebairn-Smith, Joseph Byrd (arranger); Lincoln Mayorga (piano). Recorded in August 1967. Originally released on A&M Records. Includes liner notes by Richie Unterberger. On his first album for a pop label, 1967's PLEASURES OF THE HARBOR, Phil Ochs lets go of the voice-and-guitar format of his Elektra albums, recording with a bevy of Los Angeles studio musicians under the direction of producer Larry Marks and arranger Ian Freebairn-Smith to make an album with the same fractured middle-of-the-road sound as Love's FOREVER CHANGES or Judy Collins' WILDFLOWERS. Adorned with strings and horns alongside standard rock instrumentation, the songs are considerably more oblique than Ochs' previous broadside ballads. This is not to say that Ochs abandoned politics: inspired by the murder of Kitty Genovese, the sarcastic music-hall piano rag "Outside of a Small Circle of Friends" is a sneering criticism of apathy, and "The Crucifixion" appears to be a parable of the life of JFK. The meat of the album, however, lies in more personal songs like "Flower Lady" and the bitter, baroquely orchestrated "I've Had Her."

Perhaps Phil's greatest record, from 1967. Includes, 'CrossMy Heart', 'Flower Lady' & 'The Crucifixion'. Complete withoriginal artwork and new liner notes. First time on CD. Standard jewelcase. 2000 release.

Personnel includes: Phil Ochs (vocals); Ian Freebairn-Smith, Joseph Byrd (arranger); Lincoln Mayorga (piano). Recorded in August 1967. Originally released on A&M Records. Includes liner notes by Richie Unterberger. On his first album for a pop label, 1967's PLEASURES OF THE HARBOR, Phil Ochs lets go of the voice-and-guitar format of his Elektra albums, recording with a bevy of Los Angeles studio musicians under the direction of producer Larry Marks and arranger Ian Freebairn-Smith to make an album with the same fractured middle-of-the-road sound as Love's FOREVER CHANGES or Judy Collins' WILDFLOWERS. Adorned with strings and horns alongside standard rock instrumentation, the songs are considerably more oblique than Ochs' previous broadside ballads. This is not to say that Ochs abandoned politics: inspired by the murder of Kitty Genovese, the sarcastic music-hall piano rag "Outside of a Small Circle of Friends" is a sneering criticism of apathy, and "The Crucifixion" appears to be a parable of the life of JFK. The meat of the album, however, lies in more personal songs like "Flower Lady" and the bitter, baroquely orchestrated "I've Had Her."

3. 'Harvey Milk' is one of several late 20th-century operas to deal with figures from (comparatively) recent headlines. We see Harvey Milk's journey from a teenager in the standing room at the old Met, through his career as a closeted executive to the "Mayor of Castro Street," to becoming the first openly gay man elected to the San Francisco board of supervisors. The final, immensely powerful image of the opera portrays the young Harvey, still in the handcuffs from his arrest by an undercover cop he meets at the Met, watching the outpouring of love occasioned by his assassination and finally being released by his jailer. The work, a joint commission of three opera companies, was recorded after the final revisions for the San Francisco performances. The libretto uses a number of strategies to tell Milk's story, from the symbolic closet Harvey lives in during the brilliant first act to a fairly straightforward realism for the scenes in San Francisco. The music covers a range from Broadway to the clusters of the avant garde as appropriate to the dramatic situation. The large cast performs with great dedication and the forces of the San Francisco Opera make another valuable contribution to recorded opera.

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'Harvey Milk' is one of several late 20th-century operas to deal with figures from (comparatively) recent headlines. We see Harvey Milk's journey from a teenager in the standing room at the old Met, through his career as a closeted executive to the "Mayor of Castro Street," to becoming the first openly gay man elected to the San Francisco board of supervisors. The final, immensely powerful image of the opera portrays the young Harvey, still in the handcuffs from his arrest by an undercover cop he meets at the Met, watching the outpouring of love occasioned by his assassination and finally being released by his jailer. The work, a joint commission of three opera companies, was recorded after the final revisions for the San Francisco performances. The libretto uses a number of strategies to tell Milk's story, from the symbolic closet Harvey lives in during the brilliant first act to a fairly straightforward realism for the scenes in San Francisco. The music covers a range from Broadway to the clusters of the avant garde as appropriate to the dramatic situation. The large cast performs with great dedication and the forces of the San Francisco Opera make another valuable contribution to recorded opera.

4. Full performer name: Mohaammad Reza Shajarian/Hossein Alizadeh/Kayhan Kalhor/Homayoun Shajarian. Personnel: Mohaammad Reza Shajarian (vocals); Hossein Alizadeh (tar); Kayhan Kalhor (fiddle); Homyayoun Shajarian (vocals, percussion). Producers: Mohammad Reza Shajarian, Hossein Alizadeh, Kayhan Kalhor, Homayoun Sharjarian. Includes liner notes by Laudan Nooshin. WITHOUT YOU was nominated for the 2004 Grammy Award for Best Traditional World Music Album. This outstanding album is alive with electric energy. Featuring classical Persian music played with lute, spike fiddle, and drum, this phenomenal set of musicians (all descended from a long line of music masters) is exceptional in terms of the Iranian classical scene. The album (recorded live) consists of haunting solo instrumentation colored with the piercing cries Mohaammad Reza Shajarian's operatic voice. Equally important is the use of the spaces in between the notes, which lend a conversational tone to the interplay between the various musical elements. Shajarian's supple vocals sound at times like they cannot be of this world. For example, In "Saz Va Avaz," his voice morphs into something that sounds mechanical, as if it was run through a synthesizer. The improvisational aspects of this performance and the virtuostic command of the instruments make it fresh and mind-expanding from start to finish.

short description is not available

Full performer name: Mohaammad Reza Shajarian/Hossein Alizadeh/Kayhan Kalhor/Homayoun Shajarian. Personnel: Mohaammad Reza Shajarian (vocals); Hossein Alizadeh (tar); Kayhan Kalhor (fiddle); Homyayoun Shajarian (vocals, percussion). Producers: Mohammad Reza Shajarian, Hossein Alizadeh, Kayhan Kalhor, Homayoun Sharjarian. Includes liner notes by Laudan Nooshin. WITHOUT YOU was nominated for the 2004 Grammy Award for Best Traditional World Music Album. This outstanding album is alive with electric energy. Featuring classical Persian music played with lute, spike fiddle, and drum, this phenomenal set of musicians (all descended from a long line of music masters) is exceptional in terms of the Iranian classical scene. The album (recorded live) consists of haunting solo instrumentation colored with the piercing cries Mohaammad Reza Shajarian's operatic voice. Equally important is the use of the spaces in between the notes, which lend a conversational tone to the interplay between the various musical elements. Shajarian's supple vocals sound at times like they cannot be of this world. For example, In "Saz Va Avaz," his voice morphs into something that sounds mechanical, as if it was run through a synthesizer. The improvisational aspects of this performance and the virtuostic command of the instruments make it fresh and mind-expanding from start to finish.

5. Nestle NutriHep Tube Feeding Formula Unflavored 8.45 oz Carton 24 Ct

Nestle NutriHep Tube Feeding Formula Unflavored 8.45 oz Carton 24 Ct Specialized nutrition for patients with hepatic disorders. 24 per Case Adult

Formulated to help decrease metabolic end-products in patients with hepatic disease High ratio of branched-chain amino acids to aromatic amino acids Calorically dense for fluid management High MCT to LCT ratio to facilitate absorption Suitable for these diets: lactose intolerance, gluten-free, low-residue, kosher Not for individuals with galactosemia Provides nutritional support for individuals with hepatic insufficiency or liver disease with encephalopathy refractory to standard treatment

6. Medithreads Anti-microbial Men's Classic

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Medithreads Anti-microbial Men's Classic

7. Medithreads Anti-microbial Men's Classic

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Medithreads Anti-microbial Men's Classic

8. Medithreads Anti-microbial Men's Classic

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Medithreads Anti-microbial Men's Classic

9. Medithreads Anti-microbial Women's Class

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Medithreads Anti-microbial Women's Class

10. Medithreads Anti-microbial Women's Class

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Medithreads Anti-microbial Women's Class