Updated On November 1st, 2024
Looking for the best Performing Arts Books? You aren't short of choices in 2022. The difficult bit is deciding the best Performing Arts Books for you, but luckily that's where we can help. Based on testing out in the field with reviews, sells etc, we've created this ranked list of the finest Performing Arts Books.
Rank | Product Name | Score | |
---|---|---|---|
1 |
|
Getting Even, (Paperback)
Check Price
|
80%
|
2 |
|
A Grand Guy : The Art and Life of Terry Southern (Paperback)
Check Price
|
0%
|
3 |
|
Story and Discourse (Paperback)
Check Price
|
0%
|
4 |
|
Songs of Irving Berlin: Irving Berlin - Movie Songs (Paperback)
Check Price
|
0%
|
5 |
|
The Hunchback of Notre Dame (Paperback)
Check Price
|
0%
|
6 |
|
Script Supervising and Film Continuity, (Paperback)
Check Price
|
0%
|
7 |
|
Narration in the Fiction Film, (Paperback)
Check Price
|
0%
|
8 |
|
Film Flubs, the Sequel (Paperback) by Bill Givens
Check Price
|
0%
|
9 |
|
Maverick Marine-Pa (Paperback)
Check Price
|
0%
|
10 |
|
Hard Boiled : Great Lines from Classic Noir Films (Paperback)
Check Price
|
0%
|
Our Score
Getting Even
Getting Even, (Paperback) Author: Vintage ISBN: 9780394726403 Format: Paperback Publication Date: 1978-08-12 Page Count: 112
Our Score
Oxford American Dictionary Format: Paperback Authors: Eugene Ehrlich, Stuart Berg Flexner, Gorton Carruth, Joyce M. Hawkins ISBN10: 0380510529 Published: 1980-09-23
In Defense of Good Eanglish The words Oxford Dictionary have long stood for ultimate authority in the English language. Now students and general readers can get the some thoroughness, precision, and certainty in the long-awaited OXFORD AMERICAN DICTIONARY, the first modern paperbound dictionary to lay down the law on correct grammar Hundreds of notes on usage clarify grammatical points and words that are easily confused: Should you use chairperson or chairwoman? Is disinterested an acceptable way of expressing lack of interest? Is it correct to say the media is doing anything? Can one catch a movie? The OXFORD AMERICAN DICTIONARY is completely up-to-date and establishes a firm standard for all lovers of our language. While the dictionary follows the Oxford style and linguistic criteria, the editorial staff is headed by three eminent American lexicographers: Stuart Berg Flexner, noted for his work on American slang; Eugene Ehrlich of Columbia University, author of several books on American usage; and Gorton Carruth, former Editor-in-Chief of Funk and Wagnalls. Joyce Hawkins, who reviewed the material for the Oxford Dictionary Department, has been described in newspapers throughout the world as "the lady lexicographer who has declared a one-woman war on sloppy English."
Our Score
"For the specialist in the study of narrative structure, this is a solid and very perceptive exploration of the issues salient to the telling of a story--whatever the medium. Chatman, whose approach here is at once dualist and structuralist, divides his subject into the 'what' of the narrative (Story) and the 'way' (Discourse)... Chatman's command of his material is impressive."--Library Journal
Story and Discourse (Paperback)
Our Score
(P/V/G Composer Collection). 30 songs from some of the most-loved movies ever. Songs include: Be Careful, It's My Heart * Easter Parade * Happy Holiday * Cheek to Cheek * Sisters * Top Hat, White Tie and Tails * White Christmas * and more.
Songs of Irving Berlin: Irving Berlin - Movie Songs (Paperback)
Our Score
(Piano/Vocal/Guitar Songbook). A stunning songbook featuring 10 songs from the movie and full-color artwork throughout. Includes the songs: The Bells of Notre Dame * Out There * God Help the Outcasts * Someday * and more.
The Hunchback of Notre Dame (Paperback)
Our Score
This definitive handbook explains how a script is transformed into a motion picture or television program. Readers will learn the methodology and craft of the script supervisor, who ensures that the continuity of a film, its logical progression, is coherent. The book teaches all vital script supervising functions, including how to: .prepare, or "break down" a script for shooting .maintaining screen direction and progression .matching scenes and shots for editing .cuing actors .recording good takes and prints preparing time and log sheets for editingThis revision of an industry classic has been updated to reflect changes in the film industry in recent years, including the use of electronic media in the script supervisor's tasks. While it is written for the novice script writer, it can serve as a valuable resource for directors, film editors, scriptwriters and cinematographers.
Script Supervising and Film Continuity, (Paperback) Author: Routledge ISBN: 9780240802947 Format: Paperback Publication Date: 1998-12-29 Page Count: 256
Our Score
Most films tell tales, but what does that involve? How do motion pictures tease us into building what we all agree to call stories? In this study, David Bordwell offers the first comprehensive account of how movies use fundamental principles of narrative representation, unique features of the film medium, and diverse story-telling patterns to construct their fictional narratives. The result is a pioneering, far-reaching work which will change the way we perceive narrative film--and which every serious film scholar, student or fan will welcome. "This book is of crucial importance to film specialists. I cannot think that any film teacher/scholar would miss reading this work."--Don Fredricksen, Cornell University "David Bordwell's Narration in the Fiction Film is a major contribution to film studies and to narrative theory. The work, I predict, will be widely read, praised, debated, and damned. Brodwell's originality lies not so much in demonstrating the deficiencies of other theories, which he does very convincingly, but in the scope and design of his project, against which there is no competition of comparable intellectual weight."--Jerry Carlson, DePaul University
Narration in the Fiction Film, (Paperback) Author: University of Wisconsin Press ISBN: 9780299101749 Format: Paperback Publication Date: 1985-09-15 Page Count: 384
Our Score
Trade paperback. Language: English. Pages: 159. Trade paperback (US). Glued binding. 159 p. Film Flubs was a staggering success. Son of Film Flubs provided even more laughs. Now Bill Givens is back again with his third venture into the realm of unintentional mistakes that appear in finished movies. In addition to ribbing the classics and today's favorite films, Film Flubs, The Sequel even points a finger at "blunderful" television shows. Photographs throughout.
Film Flubs, the Sequel (Paperback) by Bill Givens
Our Score
" Smedley Butler's life and career epitomize the contradictory nature of American military policy through the first part of this century. Butler won renown as a Marine battlefield hero, campaigning in most of America's foreign military expeditions from 1898 to the late 1920s. He became the leading national advocate for paramilitary police reform. Upon his retirement, however, he renounced war and imperialism and devoted his energy and prestige to various dissident and leftist political causes.
Maverick Marine-Pa (Paperback)
Our Score
In the cult, crime, and noir films of the 1930s, '40s, and '50s, everyone was supremely eloquent. Now contemporary fans of these classics can be equally clever with this inspired collection of more than 300 lines from nearly 150 of the greatest noir movies ever produced. Includes 71 reproductions of publicity photos, promotional posters, and film stills, many in full color. The boss chewed you out? Try this: I've met a lot of hard-boiled eggs in my time, but you -- you're twenty minutes (Jan Sterling in The Big Carnival). How about something for that special moment? I felt pretty good -- like an amputated leg (Dick Powell in Murder, My Sweet). In the cult, crime, and noir films of the 1930s, 40s, and 50s, everyone was supremely eloquent. Now contemporary fans of these classics can be equally clever with this inspired collection of over 300 lines from nearly 150 of the greatest noir movies ever produced. With full-color reproductions of publicity photos, promotional posters, and film stills, Hard-Boiled is a glamorous look back at the golden era of film noir.
The film was noir and the dialogue was black - blacker than a doll in mourning, blacker than Mildred Pierce's steaming hot java, blacker than the seam up the back of Marlene Dietrich's leg. In the cult, crime, and noir films of the 1930s, 1940s, and 1950s, everyone was supremely eloquent. Now you, too, can be infinitely clever with Hard-Boiled: Great Lines from Classic Noir Films, a collection of over 300 lines from nearly 150 of the wickedest films, from Casablanca to Born to Kill and The Big Heat. Need something romantic to woo your gal? "If there's anything I don't like, it's a smart-cracking dame". (Jack Palance in Panic in the Streets.) Something to prove to the cops that you're not a thug? "Me? I didn't do nothin'. I didn't kill anyone. I just drove away with the body". (Zero Mostel in The Enforcer). The boss chewed you out? Try this: "I've met a lot of hard-boiled eggs in my time, but you - you're twenty minutes". (Jan Sterling in The Big Carnival). How about something for that special moment? "I felt pretty good - like an amputated leg". (Dick Powell in Murder, My Sweet). The most luridly fascinating characters say the most outrageous things - and now you can read them all in black and white. With full-color reproductions of publicity photos, promotional posters, and film stills, Hard-Boiled is a glamorous and handy round-up of the unrestrained words of the drifters and dreamers, lovers and killers whose lives are the stuff of film noir.